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NCERTExplained - the manuscript painting tradition

THE MANUSCRIPT PAINTING TRADITION

Introduction

The Vishnudharmottara Purana, especially its third Khanda, serves as an exhaustive treatise on the art and technique of Indian painting. It is a compendium of canons, methods, and ethics surrounding the art form, often referred to as ‘pratima lakshana’.

Key Components Of Pratima Lakshana

1.Roopbheda: This refers to the differentiation of looks and appearances. It serves as the fundamental basis for creating individual characters and distinguishing elements within a painting.

2.Pramana: This deals with measurements, proportions, and structure, ensuring that the forms depicted hold up to anatomical and spatial correctness.

3.Bhava: These are the expressions that bring life to the painted figures. Without bhava, the painting lacks emotion and relatability.

4.Lavanya Yojana: This is essentially the aesthetic arrangement or composition of the painting. It takes into account the balance, symmetry, and harmony of the elements within the art piece.

5.Sadrishya: This refers to the resemblance or accuracy with which real-life forms are represented in the painting.

6.Varnikabhanga: This covers the techniques used in the application of colour and includes the types of brushes to be used for various effects.

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